In the work of Tenesh Webber, the interplay between technical control and chance manipulations is a central element. Working within a minimalist sensibility and aligned with improvisational abstraction, Webber takes the controlled structure of the grid as a starting point and then allows unplanned operations to direct the outcome. Using a process that blurs the boundaries among sculpture, drawing, and photography, Webber manipulates and layers Japanese beading thread to create a grid, which is then placed onto photographic paper and exposed to light. In the resulting image, called a photogram, white lines are set against a seemingly endless black field. Although the image is fixed, the disruption to the network of filaments creates a sense of impermanence, of structures distorted, but unbroken.

Curators Statement, Tamar Zinn, "Explorations of Line", Garrison Art Center, Garrison N.Y. 2018

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